Thelatestbypowerhouseartist-filmmakerduoChristineMolloyandJoeLawlorpicksupathreadfromtheirlastfilmTHEFUTURETENSE,asoulfulinvestigationofIreland’stumultuoushistory.Here,usingtheformofaheistmovie,theytellthetruestoryofRoseDugdale(playedbyImogenPoots),ayoungheiresswhorebelledagainstherEnglisharistocraticupbringingtovolunteerwiththeIrishRepublicanArmy.In1974,Dugdaleandhercollaboratorsswiped19paintings—includingRubens,Goya,andVermeer—fromaprivatehome,usingthesetreasuresasleveragefortheliberationoffourIRAprisoners.LawlorandMolloy’shighlyatmosphericthrillerplungesusintotheTroubleswithheart-stoppingintensity,andPootsisrivetingastherevolutionary.Beneathherradicalfacade,weseeherfragilityandinnerturmoil,asshewrestleswithappreciationforthebeautifulartifactsofaworldshehassetouttodestroy,andthefearofthechaosshehasunleashed以打火机为线索贯串影片，可是觉得影片念要表达的很多，可是有没有完整表达分明。影片讲述的一个杀人事件的不断反转，设置悬念，可是又没达到一种令观寡惊讶的结局，一切都好像正在道理之中。“河豚”作为影片的片名是代表着紧密亲密关系的一种剧毒吗？还是只是正在影片中泛起的唯一一处两人用饭，道“河豚”那种食物真的的能杀死人吗？